Portray the Panorama: Pupil Showcase

Thanks once more for becoming a member of my Portray the Panorama workshop. Listed below are hyperlinks to all the teachings in case you missed any:

Lesson 1: The Thought and Reference Picture

Lesson 2: Planning and Technique

Lesson 3: Portray and Method

Lesson 4: Self-Reflection

On the finish of the workshop, I invited you to color your individual interpretation of the reference picture. We acquired many great submissions; thanks!

It’s fascinating to see all of the completely different interpretations of the identical scene. It additionally give me a number of concepts for a way I might strategy my work in a different way.

Beneath is a showcase of scholar works (those that agreed for his or her work to be shared). I’ve additionally supplied some transient commentary on every.

Painting the Landscape - Student Showcase
Portray the Panorama – Pupil Showcase
Arnaud Majoor
Arnaud Majoor

Hello Arnaud. Love the dabs of colour and the distinct model. It has a van Gogh really feel to it.

Teresa Mcgrath
Teresa Mcgrath

Hello Teresa. Attention-grabbing and moody take. The darker, much less saturated colours make the flowers seem extra beautiful in contrast. Effectively completed!

Sue Gibbons
Sue Gibbons

Hello Sue. Lovely purples and blues. I like the way you modified the composition and painted with panorama dimentions fairly than portrait dimentions. Not straightforward to do. It has a extra open really feel to it, notably with the adjustments you made to the sky.

Robert Hajek
Robert Hajek

Hello Robert. Nice use of texture and use of purple across the backside. The purple provides a burst of heat to the portray and performs properly towards the ocean of greens. Additionally, good use of approach variance to convey the completely different areas.

Priscilla Trescott
Priscilla Trescott

Hello Priscilla. Attention-grabbing take. I like the way you modified the composition and made the flowers and crops within the foreground extra unfold out. It seems such as you stained the canvas then painted excessive. It really works properly. The stained floor performs into the concept of grime, rocks, bugs, and many others.

Phil Lyons
Phil Lyons

Hello Phil. The colours pack a punch! Good directional brushwork to match the completely different areas.

Paula Heacock
Paula Heacock

Hello Paula. Energetic portray with the damaged colour. Colours nearly seem to vibrate. Adore it. I’m a giant fan of this strategy, as you may in all probability inform from my work. And good use of temperature distinction, with the nice and cozy lights cool shadows.

Olga Chumakova
Olga Chumakova

Hello Olga. Nice brushwork variance. With the grass and crops on the underside right-hand facet, it seems such as you scraped these particulars into moist paint. Nice concept.

Lorna Mason
Lorna Mason

Hello Lorna. You will have a clear and complicated model. Adore it, notably the detailing across the backside. It’s best to strive watercolors when you haven’t already; I feel your model and approach would work notably properly with that medium.

Linda Ray
Linda Ray

Hello Linda. Love the wild, untamed nature of this and the play between muted greens and bursts of saturation.

Linda Argenti
Linda Argenti

Hello Linda. It’s a moody, atmospheric take. I prefer it. Good work with the gentle and exhausting edges to direct consideration. And robust use of worth.

Frank Pascoe
Frank Pascoe

Hello Frank. Attention-grabbing detailing within the foreground and use of a darkish colour theme. I like how you’ve got woven the bushes and sky collectively and the darkish tree trunks which act as darkish accents.

Etelka Buvár
Etelka Buvár

Hello Etelka. Sturdy colour concord. There’s a way of heat about it. The blue flowers on the backside look fascinating and pure. And good brushwork variance.

Connie Weber
Connie Weber

Hello Connie. Good directional brushwork that follows the contours of the land and love the wealthy, cool greens. The darkish accents assist anchor the portray.

Bodh Saraswati
Bodh Saraswati

Hello Bodh. Attention-grabbing take! Virtually a very completely different scene. Not straightforward to do that. Love the yellow grass and the patches of element on the bottom.

Beena Menon
Beena Menon

Hello Beena. Lovethe brushwork and flower patterns. It’s pleasing on the eyes. Attention-grabbing play between muted colours and the bursts of shiny, saturated colours.

Effectively completed everybody! As extra work are despatched by from college students that take part within the train, I’ll add them under.

Dan Scott

Draw Paint Academy

PS. If you wish to invite any associates to the workshop, you may ship them to the next hyperlink:

Painting the Landscape