Jackson’s Procryl Brushes are designed for skilled oil and acrylic painters. Made with acrylic fibres and a protracted matte black deal with, they’re reasonably springy and absorbent. On this assessment, painter Chris Longridge assessments the Lengthy Flat Sequence of Jackson’s Procryl Brushes, and shares his ideas.
Overview of Jackson’s Procryl Brushes – Lengthy Flat Sequence
by Chris Longridge
There are three important elements in any painter’s toolkit – pigment, help and brushes – and the final may simply be crucial. Simply as engineers demand precision from their instruments, painters must be no much less demanding of theirs.
This implies we’re in Goldilocks territory: some brushes are too tremendous, some are too stiff, some are too unfastened – only a few are good. However to return again to our engineering analogy, the difficulty isn’t at all times dangerous instruments a lot as choosing the right one for the job. Lucian Freud famously switched from sable to hog-hair brushes within the Fifties; the distinction in fashion is self-evident, and solely achieved by mastery of a brand new software. (It in all probability helped that Freud was actually, actually good too.)
I paint principally in oils, typically acrylics, and for causes I’ve by no means understood, I’m very sparing with the paint – it at all times goes on dry and flat, regardless of how a lot I get pleasure from impasto in different folks’s work. Hog hair, then, is just too clumsy for me, sable too weedy. Each are obligatory of their proper place, however for nearly my complete life I’ve used artificial brushes. Which brings me to Jackson’s Procryl Brushes.
Designed with acrylic painters in thoughts, artificial brushes at their greatest mix the bounce and resilience of (usually long-handled) stiff brushes with the graceful draw of a sable. I favour flat-ended for the precision they provide – I like a tough line – and for the variability inherent of their mark-making.
Jackson’s Procryl Brushes – Lengthy Flat Sequence had been new to me, and stunned me with their versatility. Lengthy deal with: examine. I can solely love a short-handled brush for super-fine work. And talking of the deal with, the end was easy and satiny. This was fascinating, because it advised a firmer grip, however really I can’t say it made a noticeable distinction ultimately.
The diameter of the deal with was applicable to the width of the ferrule, which meant the brushes had been appropriate each for broad strokes and precision work – neither too fiddly nor too chunky within the hand. The fibres had been softer than I’m used to (I normally use Professional Arte Sterling Acrylix), which inspired me to work thinner than typical, however the bristles weren’t too tremendous to face as much as a little bit of tough therapy. I didn’t have to select up any unfastened hairs from the portray floor, anyway.
They held the pigment superbly, although being finer they’d an inclination to tangle barely and lose type when working with stodgier pigment. The darkness of the hairs meant additionally that I wasn’t at all times assured of the color that I used to be about to use in comparison with a white-bristle brush. However as I mentioned earlier than: it’s a query of the correct software for the job. In the event you don’t need to splash out on a fifty-part menagerie of unique brushes, then they’re a good compromise for a slimmed-down equipment – good for making use of a wash in addition to dabbing a deliberate brushstroke, and really moderately priced.
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Jackson’s Procryl Brushes:
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About Chris Longridge
Chris Longridge is an artist primarily based in Kent. He works primarily in oils and explores the constraints and alternatives afforded by paint in a post-digital surroundings, notably concerning portraiture and the determine.
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Store Jackson’s Procryl Brushes on jacksonsart.com