Liv.e: “Anger is simply the shadow of unhappiness” | Interview

Pondering again on the connection that imprints on so most of the songs, Liv.e likens it to being on medication. “We might be so fucking good,” she says. “However then I’d begin to marvel if he actually favored me.” References to psychedelics and booty calls inform a part of the story. On “Lake Psilocybin”, she teases out sexual fantasies in a cooing falsetto, laid over mellow rings of vibraphone and synths beamed in from one other dimension. Whereas issues get doubtful on the interrobanged “A Slumber Celebration‽”. Happiness don’t at all times include bliss,” she groans, raspy with remorse.

Liv.e doesn’t wish to dwell too deeply on her ex, however you may hear her uncooked ache rippling like a shockwave via Woman within the Half Pearl. Although her voice is cracked with distortion, she’s by no means sounded extra uncovered than on “Ghost”. Listening to her scat-howl over a drunken piano loop is nearly startling. “Clowns” is much more jarring. What begins as playful ribbing will get twisted into an all-caps shouting match over bombed-out boom-bap. “I was offended. I used to be offended as fuck,” Liv.e says, then pauses. “However anger is simply the shadow of unhappiness.”

That pearl of knowledge rings true within the music, too, gleaming between the album’s cracks and crevices. Liv.e has a delicate spot for Lalah Hathaway, and “Discover Out” reveals that lovesick R&B additionally occurs to be her candy spot. Gliding into the husky reaches of her register, she watches leaves fall in the summertime as her coronary heart sinks into the gutter, the rise and fall of cosmic synths like hoping on a sea of falling stars.