(My “On the Easel” posts provide you with a behind-the-scenes have a look at what I’m engaged on, what went nicely, what went fallacious, and issues I be taught.)
Let’s check out how I painted Gumdale, Pink Flowers, Blue Sky. I run previous this spot nearly every single day. On this explicit event, every part was good. The solar, the colours, composition, clouds, flowers… every part. It was a type of double-take moments the place I needed to backtrack and take a number of photographs to color within the studio.

Reference Picture
Under is the reference picture I painted from. Be at liberty to color it your self.

You may obtain a high-resolution model of the picture right here.
Provides
Right here’s what I used:
- Oil on Ambersand gessoboard, 9 by 12 inches.
- Essential colours: Ultramarine blue, cobalt blue, cadmium crimson, magenta, cadmium yellow, cadmium yellow gentle, viridian inexperienced, and titanium white.
Check with my provides checklist for extra particulars.
Notes and Classes Discovered
- I didn’t have huge plans for this portray. It was actually simply to get me out of a artistic rut and to get some concepts and inspiration flowing.
Tip: One of the best ways to interrupt out of a artistic rut is to color one thing, something. It will result in extra exercise and inspiration. No matter you do, don’t let your easel lay dormant for too lengthy, or procrastination would possibly get the higher of you.
- I painted not lengthy after taking the reference picture, while my first impressions have been nonetheless contemporary in my head. After I paint from reference photographs like this, I exploit the picture as a normal information and rely extra on my reminiscences and impressions of the topic.
- The reference picture doesn’t do the scene justice. The colours have been a lot richer and brighter in particular person.
- A key function of the portray is the placing distinction between the crimson flowers and the inexperienced grass and leaves. Pink and inexperienced are complementary colours, that means they’re on opposing sides of the colour wheel and have a pure distinction. The blue sky is weaker in saturation and performs extra of a assist function within the portray.
- I took the picture at noon when the solar was shiny and excessive within the sky. Beneath the noon solar, there tends to be a pointy distinction between gentle and darkish, onerous edges, and excessive readability.
Tip: It’s necessary to know the character and situations of the topic so you’ll be able to play into these concepts in your portray. On this case, it’s noon with a blue sky and some clouds. I performed into this through the use of onerous edges, extra detailed brushwork, and sharp shade distinction. If, then again, it was an overcast and wet day, I’d use softer edges and distinction.
Progress Photographs
Step 1: Sketch the foremost shapes and contours.

Step 2: Block within the normal colours and shapes. I used paper towel to elevate extra paint from the floor. I discover the floor turns into much less aware of my strokes as paint builds up.

Step 3: Consolidate the timber, leaves, flowers, fence, and floor. I used extra texture and visual brushwork for the leaves and flowers taking pictures up excessive of the fence, as that is the focus of the portray.

Step 4: Add element and texture to the grass. Discover my upward brushwork that performs into the concept of fresh-cut grass.

Step 5: Work on the sky, add stronger shadows to the fence, and end off the highway and path with a number of palette knife strokes.

Step 6: Make a number of changes right here and there, then signal and {photograph} the completed portray.

Thanks for Studying!
I respect you taking the time to learn this publish and I hope you discovered it useful. Be at liberty to share it with buddies. If you wish to be taught extra, be sure to take a look at my Panorama Portray Masterclass. Enrollment is open for the following week.
Joyful portray!
Dan Scott

Draw Paint Academy